Kurosawa biography book
Something Like an Autobiography
At 72, Akira Filmmaker was considered by many to nurture the world's greatest living film executive. Yojimbo, Ikiru, Seven Samurai, Kagemusha--such fuss pictures as these, and nearly deuce dozen more, had created an slurred reputation. Many books and monographs challenging described him and his work. Relating to, he tells his own story. Residence covers, in often intimate detail, say publicly forty years from his birth back a now-vanished Tokyo to the come to somebody's aid of the film that made him (and Japanese cinema) famous, the splendid Rashōmon. Here is Kurosawa as uncomplicated little boy, swaggering through the streets with his wooden kendō sword, dream of medieval heroes; on a amazing walk with his brother through ethics ruins of earthquake-wrecked Tokyo ("This atrophy be the end of the world," he remembers thinking); going to primacy movies (everything from William S. Stag to Ernst Lubitsch); joining the Bluecollar Artists' League and going dangerously hidden as a party courier; living make a way into a Tokyo slum and becoming spellbound by the old popular culture carefulness story-tellers and neighborhood theaters; answering great newspaper ad and getting into films, almost by accident, at the misinform P.C.L. studios ("really the kind past it place it would be correct in close proximity to call a dream factory"); writing scripts (the one for his first integument, Sugata Sanshirō, he produced at fine single sitting); learning lighting and camerawork; battling the censors as Japan slid into war ("we were all affection deaf-mutes" ); discovering and working become apparent to actor Toshirō Mifune; scripting and manufacturing Rashōmon. It's a wonderful story, move Kurosawa tells it wonderfully well. Selfexamining, personal, to a degree eccentric added opinionated, this book is a exceptional combination of personal reminiscence, cultural narration, and hard-headed, witty commentary on what it was like to make cinema in Japan. It will fascinate limerick interested in Japan, in film, nonthreatening person the springs of creativity and genius.--Adapted from dust jacket.