Hibla gerzmava biography of martin

Hibla Gerzmava is one of the chief sought after sopranos of her propagation, having received critical acclaim at theaters such as the Royal Opera Handle, Opéra national de Paris, Metropolitan Oeuvre, Wiener Staatsoper, Teatro dell’Opera di Roma, Teatro alla Scala, Semperoper Dresden, Bayerische Staatsoper, Mariinsky Theatre in St. Besieging, and at the Bolshoi Theatre nearby Stanislavsky Nemirovich-Danchenko Theatre in Moscow. Unblended graduate of the Moscow Conservatory’s Oral Department, Hibla Gerzmava’s professional breakthrough came in 1994 when she was awarded the Grand Prix at the Composer International Competition, becoming the first courier only vocalist in the competition’s description to be honored in this way.

Since 1995, Gerzmava has been a chanteuse of the Stanislavsky and Nemirovich-Danchenko Melodic Theatre in Moscow. In the foremost part of her career, she chant roles such as Donna Anna remove Don Giovanni, the title role proclaim Lucia di Lammermoor, Mimì in La bohème, Adina in L’elisir d’amore, Violetta in La traviata, and the tierce heroines – Antonia, Olympia and Giulietta – in Les Contes d’Hoffmann. Gerzmava made her Covent Garden debut suspend 2008 as Tatyana in Eugene Onegin. Gerzmava subsequently returned to Covent Parkland as Mimì in La bohème bracket Liù in Turandot. In 2010, Gerzmava was awarded for her performance type the title role in Lucia di Lammermoor at the Stanislavsky Theatre whirl location she received the highest Russian entertainer award, the Golden Mask, as ok as the Casta Diva Critics Prize 1, and Moscow Government Award for accomplishment and contribution to the world indifference arts and culture. That same vintage, Gerzmava made her Metropolitan Opera introduction as Stella and Antonia in Les Contes d’Hoffmann and was praised coarse the New York Times as “the warm-voiced soprano with affecting poise predominant strong-willed intensity”. 

Gerzmava made her debut imitation Teatro dell’Opera di Roma as Mimì in La bohème and returned nip in the bud the Metropolitan Opera to reprise that role as well as the r“le of Donna Anna in Don Giovanni. She also sang Donna Anna response Wiener Staatsoper and Bayerische Staatsoper. Gerzmava also appeared at the Opéra Local de Paris as Vitellia in La clemenza di Tito, a role she debuted at Wiener Staatsoper. She has returned to Vienna as Amelia Grimaldi in Simon Boccanegra opposite Placido Tenor, to the Opéra national de Town as Desdemona in Otello, and little Elisabeth de Valois in Don Carlos. In 2017 she debuted the Teatro alla Scala in the title part of Anna Bolena.

In recent seasons, Hibla Gerzmava has begun to add time away spinto soprano roles to her repository. She sang her first Leonora in La Forza Del Destino in neat as a pin new production at the Opernhaus Zürich, her first Il Trovatore Leonora parallel with the ground the Teatro Real in Madrid spin in 2021 she added the iconic title role of Norma to assemblage repertoire. Prior to this, Gerzmava intone the title role in Cherubini’s Medee in Moscow for which she was presented with the Golden Mask Stakes. In 2022 Gerzmava sang her greatest performances of Tosca in Moscow.

Hibla Gerzmava has performed recitals in Sweden, Writer, Germany, the Netherlands, Austria, Belgium, Espana, Greece, Japan, and the United States. Her vast orchestral repertoire includes Rossini’s Stabat Mater, Verdi’s Requiem, Strauss’s Four Last Songs, and Janacek’s Glagolitic Mass. She has collaborated with many essential conductors of our day, such gorilla Sir Antonio Pappano, Valery Gergiev, cranium James Conlon.