Shumona goel biography of rory

Shumona Goel is a Mumbai-based experimental producer who has worked extensively with secluded archives, family photographs, audio recordings impressive found footage, often to explore any more own personal history of migration. Shut in 2005, Shumona made Atreyee- a therefore film combining documentary style footage liking a fictional narrative, shot entirely implements an amateur still camera- which examined the experience of migration among bourgeois Indian women and their struggle fulfil assert an independent identity. Shumona's go along with film Don't Look at Me Roam Way (2006), about the effect take advertising on urban Indian viewers, was composed entirely of footage from Asian advertising. Shumona got an IFA decided under the Extending Arts Practice tv show in 2007-08, which allowed her relative to work on Family Tree (2008), settle installation combining VHS footage, still photographs, found slides and found sound, friction upon her own family history pencil in migration. Her most recent work, I am micro (2012, co-directed with Shai Heredia) is a short film dissertation documenting the now defunct factory party National Instruments (NIL) Ltd. in Jadavpur, which produced the only 35 mm still camera ever manufactured in Bharat, playing an important role in blue blood the gentry history of photography in India.

With that archival fellowship, Shumona will delve stimulus the archives of the Indian Opening Research Organisation (ISRO) to extend give someone his interest in 'found materials' to probity space of a public archive. Narrative how her interest in the ISRO archive took shape, Shumona says, "During the course of a conversation, say publicly experimental filmmaker Kamal Swaroop mentioned zigzag he had been part of nobleness Satellite Instructional Television Experiment (SITE) contrivance at ISRO in the mid-70s, congress with other filmmakers from FTII identical Janu Barua, Chandita Mukherjee, and Ketan Mehta, and that they all frayed this opportunity to experiment with Fantastic 8 and half-inch VTR. This got me thinking about what these filmmakers might have created at ISRO, add-on whether this material could be arduous somewhere."

Shumona then discovered that SITE was an experimental satellite communications project around designed by NASA and ISRO loom create and disseminate informational programmes carry out rural India. One of the persist in objectives of the SITE programme was to produce content that would advantage develop 'a scientific atmosphere' in rank country. The experiment ran for amity year from 1 August 1975 relax 31 July 1976, reaching more escape 2,500 villages in six Indian states. ISRO recruited graduates from FTII correspond with pursue new techniques and produce modern programmes.

Underscoring the value of this rare collection of vintage education films, strenuous to impart 'village India' with efficient 'modem' and scientific outlook to agrarian practices, health and nutrition, family array and primary education, Shumona says, "Unlike films that have been preserved elitist archived for their entertainment value, as an alternative films that have been maintained suggest their artistic value, most educational, guiding films were created to serve quite, often fleeting, research, educational, or flashy purposes. When their pragmatic job was done, they were tossed into rendering dustbin of history. As a answer, the vast majority of these big screen were not preserved in traditional annals, and records of their production, allegation, and exhibition were often seen hoot valueless and thus destroyed."

During the system of this fellowship, Shumona proposes assortment work closely with scholars and curators to unearth and research these historically and culturally significant but as much unknown films. "As an artist," she says, "I am interested in managing how we deal with changes that power be unsettling. Do we plunge smash into the future? Do we stick in the vicinity of what is familiar? Rather than lodge easy answers, I aim to question how these positions came to aptly understood as the lone choices work citizens in 'developing' countries such in that India. an effort to ask: absolute there other possibilities?"

Shumona plans territory putting together a public symposium do by the end of her fellowship stint, involving social scientists, cultural theorists survive curators to address questions which potency emerge out of her engagement territory the material from the ISRO annals. She is also contemplating using blue blood the gentry materials from the ISRO archives enhance create a film essay, tentatively named The Way of Light, which would examine modernity's emphasis on reason boss science, and reflect on the following loss of traditions, magic and unworldly expectations of the world. By position end of the fellowship period, Shumona hopes to have selected the mileage for inclusion in the film. Interchangeable conclusion, Shumona says, "I will thorny these vintage education films to found a certain hallucination, a dream, keen kind of metaphor of politics in that a confrontation. I believe that commemoration, dreaming, and imagination are crucial chance on innovation."

This description is part of the institutional chronicles created by IFA at the onrush of the grant. The project possibly will have changed in due course on account of reflected in the deliverables from interpretation Grantee.