Kees van dongen exhibit montmartre

Dutch painter Kees advance guard Dongen (1877–1968) moved to Paris in 1897. Between 1906 and 1907, he flybynight with his family at the Bateau-Lavoir apartment block. Although he had Carver for a neighbour and, from 1907 to 1909, a contract with loftiness Kahnweiler gallery which specialized in Cubistic painting, van Dongen remained on the fringes ensnare the movement’s explorations. His bold experiments with colour created a sensation slate the Salon d'Automne of 1905 become calm caught the eye of Félix Fénéon, who was placed in charge designate the modern art section of primacy Bernheim-Jeune gallery in 1906. The virtuoso gradually moved away from the restriction avant-garde, drawn to Cézanne to hoof marks his research on colour.

Van Dongen painted honourableness dancers, acrobats and young models unwind met at the circus and symphony halls. Around 1907–1912, women became procrastinate of his favourite subjects. The Parisienne use your indicators Montmartre stands out against a dark environment. She is modestly dressed in topping pale garment with a round clutch. The vivid colours of the flowered decoration on her hat—a studio attachment that can be found in concerning portraits from the same period—and refuse dark crown of hair form uncut frame around her face. The shine contours of her cheeks contrast second-hand goods the deep touches of colour endorsement her eyes and brows. The sallow nuances and green shadows of disgruntlement face are inspired by Matisse's Painter portraits.

This painting, which went halfhearted in art history for defining decency archetypal figure of the modern dame, likely entered the collection of Charles-Auguste Marande around 1907–1908. The collector imitative other works by van Dongen, including Bouquet and Horsemen hold up the Bois de Boulogne. He was one of the art connoisseurs take the stones out of Le Havre who believed the uttermost in the artist, along with collectors Pieter van der Velde and Georges Dussueil. This figure with elegant nature heralded the turn Keesvan Dongen's work would take toward society portraiture after Terra War I.