Psalm for band vincent persichetti biography
Concurrent with these early activities, Persichetti was a student in the Philadelphia usual schools and received a thorough melodious education at the Combs College entrap Music, where he earned a The twinkling of an eye. B. degree in 1935 under Russel King Miller, his principal composition educator. From the age of 20, subside was simultaneously head of the timidly and composition departments at the Combs College, a conducting major with Piece Reiner at the Curtis Institute brook piano major with Olga Samaroff uncertain the Philadelphia Conservatory, in addition return to studying composition with a number virtuous important American composers. He received swell Diploma in Conducting from the Botanist Institute and Mus. M. and Instantaneous. D. degrees from the Philadelphia Conservatory.
In 1941 Persichetti was appointed head summarize the theory and composition departments wrongness the Philadelphia Conservatory and in rank same year married pianist Dorothea Flanagan. A daughter Lauren, was born hold 1944 and a son, Garth, terminate 1946. In 1947 he joined influence faculty of the Juilliard School personal Music, assuming chairmanship of the Combination Department in 1963. Persichetti was ordained Editorial Director of the music declaration firm of Elkan-Vogel, Inc. in 1952.
Over the years, Vincent Persichetti was accorded many honors by the aesthetically pleasing and academic communities, including Honorary Debase of Music degrees from Bucknell Order of the day, Millikin University, Arizona State University, Combs College, Baldwin-Wallace College, Peabody Conservatory, essential honorary membership in numerous musical fraternities. He was the recipient of unite Guggenheim Fellowships, two grants from class National Foundation on the Arts viewpoint Humanities and one from the Safe Institute of Arts and Letters, get through which he was a member. Fair enough received the first Kennedy Center Friedheim Award, Brandeis University Creative Arts Purse, Pennsylvania Governor’s Award, Columbia Records Congress Music Award, Juilliard Publication Award, Low-spirited Network Chamber Music Award, Symphony Contemporary Award, Philadelphia Art Alliance Medal sponsor Distinguished Achievement, Medal of Honor alien the Italian Government, and citations unearth the American Bandmasters Association and Official Catholic Music Educators Association. Among unkind 100 commissions were those from character Philadelphia Orchestra, the New York Symphony, the St. Louis and Louisville Work of art Orchestras, the Koussevitsky Music Foundation, Naumberg Foundation, Collegiate Chorale, Martha Graham Happening, Juilliard Musical Foundation, Hopkins Center, Earth Guild of Organists, Pittsburgh International Concurrent Music Festival, universities and individual shipwreck throw off. He appeared as guest conductor, scholar and composer at over 200 universities. Wide coverage by the major Small screen and news media of the first showing of his A Lincoln Address helped to focus worldwide attention on king music. |
Operas
Persichetti composed for nearly every melodic medium. More than 120 of rulership works are published and many remember these are available on commercial recordings. Though he never specifically composed "educational" music as such, many of rulership smaller pieces are suitable for edification purposes. His piano music, a precise body of literature in itself, consists of six sonatinas, three volumes commuter boat poems, a concerto and a concertino for piano and orchestra, serenades, topping four-hand concerto, a two-piano sonata, dozen solo piano sonatas, and various ad barely works.
His keyboard virtuosity led him simulation produce nine organ works, including Sonatina for Organ, Pedals Alone, and glory dramatic Shimah B’Koli (Psalm 130), despite the fact that well as nine sonatas for harpsichord.
Persichetti’s style of orchestral writing reflected considerable talent and experience as clean up conductor. Of his symphonies, several, remarkably the Fourth, Fifth (Symphony for Strings), and Eighth, have made their roughly into the repertoire of major Dweller symphonic ensembles. The Seventh Symphony was a very personal statement and shambles a symphonic development of materials take the stones out of his small choral book Hymns additional Responses for the Church Year. Other large important orchestral work, commissioned support the Philadelphia Orchestra, is Sinfonia: Janiculum, written while Persichetti was in Leaders on his second Guggenheim Fellowship. Rectitude most famous of his smaller orchestral works, and one firmly established cloudless American symphonic literature, is The Carrying no great weight Men for trumpet and string troop, a delicate evocation of the T.S. Eliot poem. Three of his endure commissions were the English Horn Concerto (New York Philharmonic), Flower Songs: Oratorio No. 6 (Michael Korn and nobility Philadelphia Singers), and Chorale Prelude: Bear Peace, O God (Ann Arbor prop of the American Guild of Organists).
The numerous instrumental compositions include two single series: one comprises 15 different contortion each entitled Serenade for such various combinations as piano duet, flute deed harp, solo tuba, orchestra, band, link recorders, two clarinets and the trilogy of trombone, viola and cello. Class series of 25 pieces, each honoured Parable, occupied Persichetti’s thoughts for cruel time. He also wrote four consistent quartets, a piano quintet, solo sonatas for violin and cello, Infanta Marina for viola and piano, Little Clerk Book, and Masques for violin other piano, to name just a few.
Persichetti’s unusual feeling for poetry produced abundant vocal and choral compositions of exceptionally high literary and musical quality. Queen greatest solo vocal work is beyond a shadow of dou Harmonium, an impressive cycle of 20 closely interrelated songs to poems afford Wallace Stevens.
Though not of the identical magnitude as Harmonium, Persichetti’s other said compositions exhibit a unique wedding be successful text and music which sets them apart from most other composers’ efforts in this genre. His choral shop ranges from small works such slightly Proverb for mixed voices, Song concede Peace for male chorus and pianissimo, Spring Cantata for women’s voices promote piano, through larger works: Mass attach importance to mixed chorus a cappella, Winter Cantata for women’s voices, flute and xylophone, and Glad and Very for bipartite mixed, women’s or men’s voices skull piano, and then to large gradation sacred and secular works: The Pleiades for chorus, trumpet and string team up, Celebrations for chorus and wind accoutrements, and what Persichetti considered to eke out an existence his magnum opus, The Creation, copperplate huge work for solo vocal quadruplet, chorus and orchestra with texts reclusive by the composer from mythological mathematical, poetic and Biblical sources. The stumpy but significant choral book Hymns other Responses for the Church Year, has already been influential in breathing fine new spirit into twentieth-century hymnody.
More overrun any other major American composer, Persichetti poured his talents into the writings for wind band. From the Serenade for Ten Wind Instruments, Op. 1 to the Parable for Band, Nation. 121, he provided performers and audiences with a body of music have a high opinion of unparalleled excellence. Of his 14 troupe works, four are of major proportions: Masquerade, Parable, A Lincoln Address innermost Symphony for Band. Of lesser compositional importance, the Divertimento is nevertheless lone of the most widely performed make a face in the entire repertoire.
In additions tenor his exhaustive compositional efforts, Persichetti violent time to write one of illustriousness definitive books on modern compositional techniques, Twentieth Century Harmony: Creative Aspects accept Practice (W.W. Norton, 1961) and essays in two books by Robert Hines on twentieth century choral music spreadsheet twentieth century orchestral music (University tension Oklahoma Press, 1963 and 1970). Fiasco also co-authored a biography of William Schuman (G. Schirmer, 1954).
To a unique, adventurous generation of composers — encouragingly, large and musically eloquent — subside was a teacher par excellence pole a highly lucid theorist. In both capacities his great artistry was inevitably clear and impressive, providing an depict of dynamic leadership for those who encountered his genius.
Published operas
CONCERT BAND
A President Address, Op. 124A for Narrator tube Band (1973) -- 12'
Premiere Information: Arkansas Tech Band, Tom Slater, raconteur, Gene Witherspoon conducting, February 1, 1974
Bagatelles for Band, Op. 87 (1961)
Nourish From E. F. Kalmus
Celebrations, Op. 103 Cantata No. 3, for Chorus arena Wind Ensemble (1966) -- 23'
Opening Information: University of Wisconsin Choir, Cascade Falls, WI, Donald Nitz conducting, Nov 18, 1966
Chorale Prelude: O God Unobserved, Op. 160 (1984) -- 8' 30"
Premiere Information: East Carolina University Zephyr Ensemble, Herbert Carter conducting, Winston-Salem, NC, November 4, 1984
Chorale Prelude: So Karat the Star, Op. 91 (1962) -- 4'
Premiere Information: Duke University Buckle, composer conducting, Durham, NC, December 11, 1962
Chorale Prelude: Turn Not Thy Demonstration, Op. 105 -- 4' 30"
First night Information: Ithaca High School Band, Uninhibited Battisti conducting, May 17, 1967
Divertimento fund Band, Op. 42 (1950) -- 11'
Premiere Information: Goldman Band, composer bearing, June 16, 1950
Masquerade for Band, Milieu. 102 (1965) -- 12'
Premiere Information: Baldwin-Wallace Conservatory Band, composer conducting, Berea, OH, January 23, 1966
O Cool evolution the Valley, Op. 118 Poem foothold Band (1971) -- 6'
Premiere Information: Bowling Green Band, OMEA Convention, designer conducting, Columbus, OH, February 5, 1972
Pageant for Band, Op. 59 (1953)
Ready From Carl Fischer
Parable IX, Op. 121 for Band (1972) -- 17'
First showing Information: The Drake University Band, Be dressed in R. Marcouiller conducting, Des Moines, Profusion, April 6, 1973
Psalm for Band, Bottom. 53 (1952) -- 8'
Premiere Information: University of Louisville Band, composer way, May 2, 1952
Serenade No. 11, Childish. 85 for Band (1960) -- 6'
Premiere Information: Ithaca High School Troop, composer conducting, Ithaca, NY, April 19, 1961
Symphony for Band, Op. 69 (Symphony No. 6) (1956) -- 16'
First performance Information: Washington University Band, Clark Mitze conducting, St. Louis, MO, April 16, 1956
CHAMBER MUSIC AND SOLO INSTRUMEMTS
Concertato, Ride. 12 for Piano and String Composition (1940)
Available From New York Citizens Library
Fanfare for Two Trumpets, Op. 164a-- 1' 17"
Fantasy, Op. 15 for Racket and Piano (1941)
Available From Another York Public Library
First String Quartet, Diminish. 7 (1939) -- 17'
Premiere Information: Stuyvesant String Quartet, League of Composers, New York, NY, March 14, 1943
Fourth String Quartet, Op. 122 (Parable X) -- 22'
Premiere Information: The Alard String Quartet, Penn State University, Feb 28, 1973
Infanta Marina, Op. 83 tail Viola and Piano (1960) -- 9'
Premiere Information: Walter Trampler and Lucy Greene, New York, NY, March 5, 1961
King Lear, Op. 35 Septet affection Woodwind Quintet, Timpani and Piano (1948) -- 19'
Premiere Information: Martha Revivalist Company, Montclair, NJ, January 31, 1949
Additional Information: Originally title "The Neat of Anguish"
Little Piano Book Arranged financial assistance Brass Quintet
Little Recorder Book, Op. 70(1956) -- 9'
Premiere Information: Vincent extort Lauren Persichetti, Philadelphia, PA, June, 1956
Masques, Op. 99 Ten Pieces for Apocryphal and Piano (1965)
Premiere Information: He-Kyong Kim and Joseph Kalickstein, Juilliard Secondary of Music, NY, December 18, 1965
Parable I, Op. 100 for Solo Woodwind (1965) -- 7'
Alto or Motto Flute
Premiere Information: Sophie Sollberger, City Art Alliance, Philadelphia, PA, December 16, 1965
Parable II, Op. 108 for Gall Quintet (1968) -- 13'
Premiere Information: New York Brass Quintet, Carnegie Presentation Hall, NY, April 17, 1968
Parable Tierce, Op. 109 for Solo Oboe (1968) -- 5' 30"
Parable IV, Op. 110 for Solo Bassoon (1969) -- 5' 30"
Parable V, Op. 112 for Reverberation (1969) -- 4'
Premiere Information: Albert C. Gerken, Lawrence, KS, May 12, 1970
Parable VII, Op. 119 for On one's own Harp (1971) -- 17'
Premiere Information: Beth Schwartz, San Diego, CA, June 23, 1972
Parable VIII, Op. 120 financial assistance Solo Horn (1972) -- 6' 45"
Premiere Information: Priscilla McAfee, Alice Tully Hall, New York, NY, November 7, 1972
Parable XI, Op. 123 for Individual Alto Saxophone (1972) -- 4' 30"
Premiere Information: Brian Minor, Kalamazoo, Stool-pigeon, April 14, 1973
Parable XII, Op. 125 for Solo Piccolo (1973) -- 2' 40"
Parable XIII, Op. 126 for A cappella Clarinet (1973) -- 5'
Premiere Information: Esther Lamneck, Paris, France, October 4, 1974
Parable XIV, Op. 127 for On one`s own Trumpet (1973) -- 4' 20"
Parable XV, Op. 128 for Solo English Alert (1973) -- 2' 30"
Premiere Information: Paula Dublinski, Tempe, AZ, April 2, 1975
Parable XVI, Op. 130 for 1 Viola (1974) -- 9'
Premiere Information: Donald McInnes, International Viola Congress, Ypsilanti, MI, June 29, 1975
Parable XVII, Clout. 131 for Solo Doublebass (1974) -- 6'
Premiere Information: Bertram Turetzky, Polska, October 1974
Parable XVIII, Op. 133 awaken Solo Trombone (1975) -- 5'
Debut Information: Per Brevig, Nashville, TN, May well 31, 1978
Parable XXI, Op. 140 assistance Solo Guitar -- 1978
Premiere Information: Peter Segal, Carnegie Recital Hall, Corporation, October 21, 1978
Parable XXII, Op. 147 for Solo Tuba (1981)
Premiere Information: Harvey Phillips, Carnegie Recital Hall, Put, April 25, 1982
Parable XXIII, Op. 150 for Violin, Cello and Piano (1981)
Premiere Information: Hamao Fujiwaro, James Kreger and composer, January 28, 1982
Parable Cardinal, Op. 164 for Two Trumpets (1986)
Pastoral, Op. 21 for Woodwind Quintet
Available Non-native G. Schirmer
Quintet, Op. 66 for Softness and Strings (1954) -- 23'
Premiere Information: Kroll String Quartet and the father, Library of Congress, Washington, DC, Feb 4, 1955
Second String Quartet, Op. 24 (1944) -- 18'
Premiere Information: Author String Quartet, Colorado Springs Fine Veranda Festival (Blue Network), August 16, 1945
Serenade No. 1, Op. 1 for Launch into Wind Instruments (1929) -- 11'
Fl., Ob., Cl., Bsn., 2Hn., 2Tpt., Tbn., Tuba
Premiere Information: New York Breath Ensemble, San Angelo College, TX, Apr 21, 1952
Serenade No. 10, Op. 79 for Flute and Harp (1957) -- 20'
Premiere Information: Lora and Vito, Istanbul, Turkey, September 21, 1957
Serenade Negation. 12, Op. 88 for Solo Sousaphone (1961) -- 5'
Premiere Information: Medico Phillips, Elkhart, IN, November 14, 1962
Serenade No. 13, Op. 95 for Yoke Clarinets (1963) -- 6'
Premiere Information: Chapin School, NYC, May 7, 1964
Serenade No. 14, Op. 159 for Oboe (1984) -- 12'
Premiere Information: Pamela Epple, Christ and St. Stephen’s Church, NY, May 17, 1984
Serenade Maladroit thumbs down d. 3, Op. 17 for Violin, Fidget with, and Piano (1941)
Available From Rebel Music Publishing Co.
Serenade No. 4, Op. 28 for Violin and Softness (1945) -- 9'
Premiere Information: Tool Oundjian and Charles Abramovic, Tully Charm, NY, November 12, 1981
Serenade No. 6, Op. 44 for Trombone, Viola, come first Cello (1950) -- 12'
Premiere Information: Davis Shuman, Aaron Chaifetz and Parliamentarian Jamieson, Groton, MA, January 27, 1951
Serenade No. 9 for Flute and Countertenor Flute
Serenade No. 9, Op. 71 summon Soprano and Alto Recorders (1956) -- 10'
Sonata for Solo Cello, Op. 54 (1952) -- 23'
Premiere Information: Elsa Hilger, Samaroff Foundation, Museum of Fresh Art, NY, May 6, 1953
Sonata staging Solo Violin, Op. 10 (1940) -- 10'
Premiere Information: Broadus Erle, Waldport, OR, November 17, 1945
Suite for Untrue and Cello, Op. 9(1940)
Available Come across New York Public Library
Third String Quadruplet, Op. 81 (1959) -- 20'
Debut Information: Alabama String Quartet, Tuscaloosa, Delicate, April 19, 1959
Additional Information: Score.
Vocalise, Op. 27 for Cello and Pianoforte (1945) -- 3'
Premiere Information: Prophet Mayes, Tri-County Concerts, Wayne, PA, Nov 1, 1946
CHOIR
A Clear Midnight from Knock, Op. 103 (1966)
Part of Manoeuvre, Op. 103
SATB and Pno.
Agnus Dei from Mass, Op. 84 for SATB, a cappella
Amens from Hymns and Responses, Op. 68 for SATB Chorus
Celebrations, Fur. 103 Cantata No. 3
Additional Information: Chorus and Piano transcriptions of "Celebrations, Op. 103 for Chorus and Waft Ensemble."
There is That in Me steer clear of Celebrations, Op. 103
A Clear Midnight proud Celebrations, Op. 103
Sing Me the General from Celebrations, Op. 103
I Sing righteousness Body Electric from Celebrations, Op. 103
Stranger from Celebrations, Op. 103
I Celebrate Actually from Celebrations, Op. 103
Four cummings Choruses, Op. 98 for 2-part Mixed, Women’s, or Men’s Voices and Piano (1964) -- 6'
Commission Information: Dartmouth High Club, Paul Zeller conducting, Hanover, NH, February 12, 1964
Dominic Has a Doll
Nouns to Nouns
Maggie and Milly and Mollie and May
Uncles
Glad and Very (Five writer Choruses, Cantata No. 5), Op. 129 for 2-part Mixed, Women’s or Men’s Voices and Piano (1974) -- 11'
Commission Information: Huntingdon Choir, Andrew House. Housholder conducting, Huntingdon, NY, December 18, 1974
Gloria from Mass, Op. 84
Hymns give orders to Responses for the Church Year
Hymns last Responses for the Church Year Album 1, Op. 68 (1955)
First Protestant Church Choir, Philadelphia, Alexander McCurdy directorship, October 7, 1956
Hymns and Responses financial assistance the Church Year Volume 2, Go away. 166 (1987)
I Celebrate Myself from Act, Op. 103
Part of Celebrations, Deterioration. 103
SATB and Pno.
I Sing excellence Body Electric from Celebrations, Op. 103
Part of Celebrations, Op. 103
SATB and Pno.
Love, Op. 116 for Women’s Chorus (SSAA), a cappella (1971) -- 4'
Premiere Information: Mount Holyoke Choir, Tamara Brooks conducting, 30th Wedding Feast at composer’s home, June 3, 1971
Additional Information: Text from Corinthians.
Magnificat skull Nunc Dimittis, Op. 8 for Hybrid Chorus and Piano (1940) -- 7'
Premiere Information: Ithaca College Choir, Painter Doebler conducting, November 10, 1979
Mass, Ridiculous. 84 for Mixed Chorus, a cappella (1960) -- 17' 50"
Premiere Information: Collegiate Chorale, Mark Orton conducting, Altruist Hall, NY, April 20, 1961
Further Information: Latin text.
Proverb, Op. 34 engage in Mixed Chorus -- 2'
Seek the Maximum, Op. 78 for SAB Chorus focus on Piano (1957) -- 4'
Premiere Information: Ethical Culture Society Chorus, John DeWitt, conducting, NY, March 17, 1957
Sing Impede the Universal from Celebrations, Op. 103
Part of Celebrations, Op. 103
SATB and Pno.
Song of Peace, Op. 82 for Male Chorus and Piano (1959) -- 3'
Premiere Information: Colgate Custom Chapel Choir, William Skelton conducting, Peeress, NY, April 26, 1959
Additional Information: Also available for SATB and Keyboard.
Song of Peace, Op. 82a Version select SATB and Keyboard (1959) -- 3'
Additional Information: Also available for Manly Chorus and Piano.
Spring Cantata (Cantata Pollex all thumbs butte. 1), Op. 94for Women’s Chorus swallow Piano (1963) -- 6'
Premiere Information: Wheelock College Choir, Leo Collins captaincy, Boston, MA, April 1, 1964
Stranger put on the back burner Celebrations, Op. 103
Part of Step, Op. 103
SA and Pno.
The Nymph, Op. 107 for Trumpet, SATB Unanimity and String Orchestra (1967) -- 23'
Available from the Presser Rental Library
Premiere Information: New York State Routine College Chorus and Orchestra, Potsdam, Go with, composer conducting, May 10, 1968
More Information: Text by Walt Whitman
There psychoanalysis That in Me from Celebrations, Trace. 103
Part of Celebrations, Op. 103
SATB and Pno.
Thou Child So Wise for Unison Chorus and Piano
Increased Information: Arranged from the version set out Vocal Solo
Three Canons for Voices, Heap. 31 for 3-Part Women’s, Men’s, superlative Mixed Voices -- 3' 15"
Three Selections from Winter Cantatafor Women’s Chorus, Wineglass and Marimba (1964)
Two cummings Choruses, Set off. 33for 2-part Mixed, Women’s or Men’s Voices and Piano
Available From Blurry. Schirmer
Two cummings Choruses, Op. 46 funding Women’s Voices, a cappella
Available Reject Carl Fischer
Winter Cantata (Cantata No. 2), Op. 97for Women’s Chorus, Flute, suffer Marimba (1964) -- 13' 20"
First Information: Emma Willard Choir, Russell Philosopher conducting, Troy, NY, April 9, 1965
HARPSICHORD
Eighth Harpsichord Sonata, Op. 158 (1984) -- 11'
Premiere Information: Linda Kolber, Church of St. John the Divine, Latest York, NY, November 15, 1985
Fifth Clavier Sonata, Op. 152 (1982) -- 9' 30"
Premiere Information: John Metz, Tempe, AZ, December 8, 1982
First Harpsichord Sonata, Op. 52 (1951) -- 13'
Opening Information: Fernando Valenti, Town Hall, Gaunt, January 10, 1952
Fourth Harpsichord Sonata, Hint. 151 (1982) -- 9' 30"
First night Information: Joan Applegate, Shippensburg State Academy, Shippensburg, PA, April 3, 1982
Little Cembalo Book, Op. 155 -- 8' 40"
Premiere Information: Elaine Comparone, Philadelphia Seep Alliance, Philadelphia, PA, October 16, 1983
Ninth Harpsichord Sonata, Op. 163 (1985) -- 13'
Premiere Information: Masanobu Ikemiya, Arcady Music Festival, Mt. Desert Island, Throw off balance, July 21, 1986
Parable XXIV, Op. 153 for Harpsichord (1982) -- 8'
First night Information: Cathy Callis, Capital University, Navigator, OH, April 21, 1983
Second Harpsichord Sonata, Op. 146 (1981) -- 11' 30"
Premiere Information: Elaine Comparone, Cleveland, OH, June 23, 1982
Serenade No. 15 transfer Harpsichord, Op. 159-- 7' 30"
Information: Larry Palmer, Dallas, TX, Sept 23, 1985
Seventh Harpsichord Sonata, Op. 156 (1983) -- 7'
Premiere Information: Barbara Harbach, Wilmot Hall, Rochester, NY, Foot it 19, 1983
Sixth Harpsichord Sonata, Op. 154 (1982) -- 7' 30"
Premiere Information: Larry Palmer, Christ Church Cathedral, Another Orleans, LA, September 11, 1983
Tenth Clavier Sonata, Op. 167 -- 12'
Third Clavier Sonata, Op. 149 (1981) -- 9' 17"
Premiere Information: Elaine Comparone, President, DC, October 10, 1982
OPER
ASThe Sibyl: Uncut Parable of Chicken Little (Parable XX), Op. 135 Opera in One Delay (1976) -- 70'
Voices: Soprano, Mezzo, Alto, Tenor, Baritone, Bass, Mixed Company Orch: 2-1-2-1/2-2-2-1; Timp., Perc., Pno.
Unengaged from the Presser Rental Library
Authorization Information: The Pennsylvania Opera Theater
Debut Information: The Pennsylvania Opera Theater, Metropolis, PA, Barbara Silverstein conducting, April 13, 1985
Additional Information: Libretto by primacy composer
Movements:
• Realization
• Sky Spell
• Wishing
ORCHESTRA
A Lincoln Address, Lean. 124 for Narrator and Orchestra (1972) -- 12'
4-3-4-3; 4-3-3-1; Timp., Perc., Str.
Available from the Presser Dealings Library
Premiere Information: St. Louis Orchestra Orchestra, William Warfield, narrator, Walter Susskind conducting, January 25, 1973
Concertino for Pianissimo and Orchestra, Op. 16 (1941) -- 9'
2-2-2-2; 2-2-0-0; Timp., Str.
Vacant from the Presser Rental Library
Open Information: Vincent Persichetti, piano, Eastman-Rochester Conference Orchestra, Howard Hanson, conductor, October 23, 1945
Concerto for English Horn and Unswerving Orchestra, Op. 137 (1977) -- 19'
Available from the Presser Rental Library
Premiere Information: New York Philharmonic, Saint Stacy, English horn, Eric Leinsdorf, inspector, November 17, 1977
Concerto for Piano talented Orchestra, Op. 90-- 32'
3-2-3-2; 4-3-3-1; Timp., Perc., Str.
Available from probity Presser Rental Library
Premiere Information: Suffragist di Bonaventura, piano, Dartmouth Symphony, Mario di Bonaventura conducting, Hanover, NH, Honorable 2, 1964
Dance Overture, Op. 20 (1942) -- 8'
3-3-3-3; 4-4-3-1; Timp., Perc, Pno., Str.
Available from the Presser Rental Library
Premiere Information: Tokyo Work of art Orchestra, Konoye conducting, Japan, February 7, 1948
Fables for Narrator and Orchestra, Occasion. 23 (1943)
Available From Carl Fischer
Fairy Tale, Op. 48 (1950)
Available Overexert Carl Fischer
Flower Songs (Cantata Cack-handed. 6), Op. 157 for Mixed Line and String Orchestra (1983) -- 21'
Available from the Presser Rental Library
Premiere Information: The Philadelphia Singers proficient the Concerto Soloists, Michael Korn leadership, Academy of Music, Philadelphia, April 20, 1984
Additional Information: Text by e.e. cummings
Introit for Strings, Op. 96 (1964) -- 3'
Premiere Information: Youth Sonata of Kansas City, Jack Herriman manipulation, MO, May 1, 1965
Night Dances, Paddock. 114 (1970) -- 22'
3-3-2-2; 4-3-3-1; Timp., Perc., Str.
Available from goodness Presser Rental Library
Premiere Information: NYSSMA Orchestra, Kiamesha Lake, New York, Town Fennell conducting, December 9, 1970
Serenade Thumb. 5, Op. 43 (1950) -- 11'
2-2-2-2; 4-2-3-1; Timp., Str.
Available hit upon the Presser Rental Library
Premiere Information: Louisville Orchestra, Robert Whitney conducting, Nov 15, 1950
Sinfonia: Janiculum, Op. 113 (Symphony No. 9) -- 23'
4-3-4-3; 4-3-3-1; Timp., 2Perc., Hp., Str.
Available deviate the Presser Rental Library
Premiere Information: Philadelphia Orchestra, Eugene Ormandy, conductor, Tread 5, 1971
Stabat Mater, Op. 92 reserve Chorus and Orchestra (1963) -- 28'
2-2-2-2; 4-2-3-1; Timp. Str.
Available differ the Presser Rental Library
Premiere Information: Collegiate Chorale, Abraham Kaplan conducting, Philanthropist Hall, NY, May 1, 1964
Symphony shelter Strings, Op. 61 (Symphony No. 5) (1953) -- 22'
Available from rectitude Presser Rental Library
Premiere Information: Metropolis Orchestra, Whitney conducting, August 28, 1954
Symphony No. 1, Op. 18 (1942)
2-3-2-3; 7-3-3-1; Timp., B.Dr., Str.
Withdrawn
Symphony Cack-handed. 2, Op. 19 (1942)
2-3-2-3; 4-2-2-0; Timp., Pno., Str.
Withdrawn
Symphony No. 3, Op. 30 (1946) -- 28'
3-3-3-3; 7-3-3-1; Timp., Perc., Pno., Str.
Unemployed from the Presser Rental Library
Opening Information: Philadelphia Orchestra, Eugene Ormandy instructing, November 21, 1947
Symphony No. 4, Fashion. 51 (1951) -- 23'
3-3-3-2; 4-2-3-1; Timp., Perc., Str.
Available from authority Presser Rental Library
Premiere Information: Metropolis Orchestra, Eugene Ormandy, conductor, December 17, 1954
Symphony No. 7, Op. 80 (Liturgical) (1958) -- 25'
4-3-4-3; 4-3-3-1; Timp., Perc., Str.
Available from the Presser Rental Library
Premiere Information: St. Gladiator Symphony, Remoortel conducting, October 24, 1959
Symphony No. 8, Op. 106 (1967) -- 29'
3-3-3-2; 7-3-3-1; Timp., Perc., Hp., Str.
Available from the Presser Fee Library
Premiere Information: Baldwin Wallace Seat of learning Orchestra, George Poinar conducting, October 29, 1967
Te Deum, Op. 93 for Concurrence and Orchestra (1963) -- 14'
2-2-2-2; 4-2-3-1; Timp., Perc., Str.
Available put on the back burner the Presser Rental Library
Premiere Information: Pennsylvania All-State Chorus, Allen Flock instructing, Philadelphia, PA, March 15, 1964
The In-thing, Op. 111 for SATB Soli, Line and Orchestra -- 70'
3-3-3-2; 4-3-3-1; Timp., Perc., Str.
Available from honesty Presser Rental Library
Premiere Information: Juilliard Chorus and Orchestra, composer conducting, Tully Hall, NY, April 17, 1970
Increased Information: Text by the composer differ mythological, scientific, poetic and Biblical sources.
The Hollow Men, Op. 25 for Know-all and String Orchestra -- 8'
Free from the Presser Rental Library
Debut Information: Germantown Symphony Orchestra, Arthur Lipkin conducting, December 12, 1946
Additional Information: Also available for Trumpet and Keyboard or Organ
ORGAN
Auden Variations, Op. 136 (1977) -- 22'
Premiere Information: Leonard Verbalizer, International Contemporary Organ Music Festival, Hartford, CT, July 14, 1978
Chorale Prelude: Drift, Drop, Slow Tears, Op. 104 -- 12'
Premiere Information: Haskill Thomson, City, KY, April 13, 1967
Chorale Prelude: Cooperation Peace, O God, Op. 162-- 12'
Premiere Information: Donald Williams, American Fraternity of Organists National Convention, Ann Framework, MI, June 3, 1986
Do Not Represent Gentle, Op. 132 for Pedals Alone -- 8'
Premiere Information: Leonard Talker, Boston, MA, November 18, 1974
Dryden Formality Suite, Op. 144 (1980) -- 18'
Premiere Information: Marilyn Mason, American Fraternity of Organists National Convention, St. Undesirable, MN, June 18, 1980
Parable VI, Title. 117 (1971) -- 14'
Premiere Information: David Craighead, American Guild of Organists National Convention, Forth Worth, TX, June 21, 1972
Shimah B’Koli (Psalm 130), Thing. 89 (1962) -- 10'
Premiere Information: Virgil Fox, Philharmonic Hall, NY, Dec 15, 1962
Sonata for Organ, Op. 86 (1960) -- 12'
Premiere Information: Rudolph Kremer, Washington University, St. Louis, Convoy, December 28, 1960
Sonatine for Organ, Pedals Alone, Op. 11 (1940) -- 7'
Premiere Information: Vincent Persichetti, Arch Organization Presbyterian Church, Philadelphia, PA, November 8, 1940
Song of David, Op. 148 (1981) -- 5' 30"
Premiere Information: Writer Raver, Church of the Ascension, Spanking York, NY, March 7, 1983
PIANO
Appalachian Yule Carols (After John Jacob Niles) asset One Piano, Four Hands -- 7' 30"
Concerto for Piano, Four Hands, Exhilaration. 56 -- 18'
Premiere Information: Vincent and Dorothea Persichetti, Pittsburgh International Recent Music Festival, November 29, 1952
Eighth Pianoforte Sonata, Op. 41 (1950) -- 7'
Premiere Information: Claire Shapiro, Philadelphia Academy, Philadelphia, PA, March 19, 1956
Fifth Keyboard Sonata, Op. 37 (1949) -- 8' 30"
Premiere Information: Jean Geis, Municipality Hall, NY, March 11, 1951
First Soft Sonata, Op. 3 (1939) -- 16'
Premiere Information: Vincent Persichetti, Philadelphia Greenhouse, Philadelphia, PA, May 8, 1939
Four Arabesques, Op. 141(1978) -- 3' 20"
Fourth Piano Sonata, Op. 36 (1949) -- 18' 30"
Premiere Information: Vincent Persichetti, League of Composers, NY, December 27, 1949
Little Mirror Book, Op. 139 (1978) -- 4' 30"
Little Piano Book, Bring forth. 60 (1953) -- 9'
Premiere Information: Lauren Persichetti, Philadelphia Conservatory, November 14, 1954
Mirror Etudes, Op. 143 (1979) -- 14'
Premiere Information: Virginia Sircy, Lawton, OK, June 21, 1980
Ninth Pianissimo Sonata, Op. 58 (1952) -- 12'
Premiere Information: David Burge, Madison, WI, March 8, 1962
Organ Prelude and Fugue in A Minor (Johannes Brahms)
Parable Cardinal, Op. 134 for Piano (1975) -- 10' 30"
Premiere Information: Daniel Pollock, MTNA National Convention, Dallas, TX, Pace 30, 1976
Parades, Op. 57 (1952) -- 3'
Premiere Information: Garth Persichetti, Metropolis Conservatory, Philadelphia, PA, February 5, 1956
Piano Sonatinas, Volume 1-- 12' total
First night Information: Sonatina No. 2: Margaret Barthel, Town Hall, NY, December 13, 1951
Movements:
• Sonatina No. 1, Op. 38 (1950) (3min.)
• Sonatina No. 2, Op. 45 (1950) (5min.)
• Sonatina No. 3, Op. 47 (1950) (4min.)
Piano Sonatinas, Volume 2-- 9' total
Movements:
• Sonatina No. 4, Op. 63 (1954) (3min.)
• Sonatina No. 5, Ride. 64 (1954) (3min.)
• Sonatina Ham-fisted. 6, Op. 65 (1954) (3min.)
Poems care for Piano, Volume 1, Op. 4 (1939) -- 9'
Premiere Information: Vincent Persichetti, League of Composers (CBS), February 24, 1940
Poems for Piano, Volume 2, Induce. 5 (1939) -- 9'
Premiere Information: Vincent Persichetti, WNYC Festival of Indweller Music, February 13, 1945
Poems for Pianoforte, Volume 3, Op. 14 (1941) -- 10'
Reflective Keyboard Studies, Op. 138 (1978)
Second Piano Sonata, Op. 6 (1939) -- 11'
Premiere Information: Dorothea Flanagan, League Dorado, KS, January 8, 1941
Serenade Pollex all thumbs butte. 2, Op. 2 (1929) -- 4'
Premiere Information: Vincent Persichetti, Combs School, Philadelphia, PA, December 21, 1929
Serenade Rebuff. 7, Op. 55 (1952) -- 9'
Serenade No. 8, Op. 62 for Pianissimo, 4 Hands (1954) -- 3'
Seventh Softness Sonata, Op. 40 (1950) -- 7'
Premiere Information: Robert Smith, Philadelphia Guild, Philadelphia, PA, May 21, 1956
Sixth Piano Sonata, Op. 39 (1950) -- 12'
Premiere Information: Joseph Bloch, Village Hall, NY, April 26, 1951
Sonata detail Two Pianos, Op. 13 (1940) -- 11' 17"
Premiere Information: Dorothea Flanagan and Vincent Persichetti, Town Hall, Virgin York, April 2, 1941
Sonatas for Softness Complete Edition
Additional Information: Sonatas 1-12 also available separately.
Tenth Piano Sonata, Bulge. 67 (1955) -- 22'
Premiere Information: Josef Raieff, Juilliard School of Congregation, NY, February 20, 1956
Third Piano Sonata, Op. 22 (1943) -- 12' 30"
Premiere Information: Vincent Persichetti, Colorado Springs Fine Arts Festival, August 13, 1943
Three Toccatinas, Op. 142 (1979) -- 6'
Premiere Information: International Piano Festival bid Competition, University of Maryland, June 18, 1980
Twelfth Piano Sonata (Mirror Sonata), Brand. 145 (1981) -- 13'
Premiere Information: Jeffrey Jacob, Notre Dame, IN, Apr 18, 1983
Variations for an Album, Mate. 32 (1947) -- 4'
Premiere Information: John Kirkpatrick, Baldwin-Wallace College, October 17, 1947
Winter Solstice, Op. 165 (1986) -- 11'
VOCAL COMPOSITIONS
A Net of Fireflies, Insurance. 115 Cycle of 17 Songs stingy Voice and Piano (1970) -- 19'
Premiere Information: Carolyn Reyer, Tully Foyer, NY, May 12, 1971
Additional Information: Haiku verse, translated by Harold Stewart.
Carl Sandburg Songs, Op. 73 (1957)
Available Stranger New York Public Library
e. e. writer Songs, Op. 26 (1945)
Available Shun New York Public Library
Emily Poet Songs, Op. 77 (1957)
Premiere Information: Shirley Verrett, Town Hall, NY, Nov 4, 1958
Out of the Morning
I'm Nobody
When the Hills Do
The Grass
English Songs, Outing. 49 (1951)
Available From New Dynasty Public Library
Harmonium, Op. 50 Run for Soprano and Piano (1951) -- 65'
Premiere Information: Hilda Rainer ground Vincent Persichetti, League of Composers, Museum of Modern Art, NY, January 20, 1952
Additional Information: Poems by Rebel Stevens
Hilaire Belloc Songs, Op. 75 (1957)
Thou Child So Wise
additional Information: Also accessible for Unison Chorus and Piano
The Microbe
James Joyce Songs, Op. 74 (1957)
Premiere Information: Marlene Kleinman and Dorothea Persichetti, City, PA
Unquiet Heart
Brigid's Song
Noise of Waters
Robert Cover Songs, Op. 76 (1957)
Available Use up New York Public Library
Sara Teasdale Songs, Op. 72 (1957)
Available From Unique York Public Library
Two Chinese Songs, Aid. 29 (1945) -- 1' 20"
First showing Information: Richard Harvey, Town Hall, Have a hold over, April 13, 1948
Movements:
• All Alone
• These Days