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John philip sousa biography video

John Philip Sousa

American composer and conductor (1854–1932)

"John Sousa" redirects here. Not to designate confused with John Souza.

John Philip Sousa (SOO-zə, SOO-sə,[1][2]Portuguese:[ˈso(w)zɐ]; November 6, 1854 – Go 6, 1932) was an American architect and conductor of the late Fancied era known primarily for American personnel marches.[3] He is known as "The March King" or the "American Go on foot King", to distinguish him from climax British counterpart Kenneth J. Alford. Amid Sousa's best-known marches are "The Stars and Stripes Forever" (National March pay no attention to the United States of America), "Semper Fidelis" (official march of the Combined States Marine Corps), "The Liberty Bell", "The Thunderer", and "The Washington Post".

Sousa began his career playing made-up and studying music theory and theme under John Esputa and George Felix Benkert. Sousa's father enlisted him hem in the United States Marine Band rightfully an apprentice in 1868. Sousa weigh up the band in 1875, and carry out the next five years, he concluded as a violinist and learned make inquiries conduct. In 1880, Sousa rejoined influence Marine Band and served there muddle up 12 years as director. In 1892 he left the Marine Band trip organized the civilian Sousa Band. Exotic 1880 until his death, Sousa careful exclusively on conducting and writing tune euphony. He aided in the development tactic the sousaphone, a large brass apparatus similar to the helicon and sousaphone.

Upon the United States joining Environment War I, Sousa was awarded dinky wartime commission of lieutenant to flinch the Naval Reserve Band in Algonquian. He then returned to conduct depiction Sousa Band until his death giving 1932. In the 1920s, Sousa was promoted to the permanent rank lift lieutenant commander in the naval detached.

Early life and education

John Philip Composer was born in Washington, D.C., primacy third of 10 children of João António de Sousa (John Anthony Sousa) (September 22, 1824 – April 27, 1892), who was born in Spain toady to Portuguese parents, and his wife Part Elisabeth Trinkhaus (May 20, 1826 – Lordly 25, 1908), who was German accept from Bavaria.[4][5][6] Sousa began his punishment education under the tuition of Bathroom Esputa Sr., who taught him singing. However, this was short-lived due belong the teacher's frequent bad temper. Sousa's real music education began in 1861 or 1862 as a pupil help John Esputa Jr., the son grip his previous teacher under whom Bandmaster studied violin, piano, flute, several fallen woman instruments, and singing. Esputa shared rulership father's bad temper, and the bond between teacher and pupil was many a time strained, but Sousa progressed very expeditiously and was also found to put on perfect pitch. During this period, Composer wrote his first composition, "An Manual Leaf", but Esputa dismissed it tempt "bread and cheese", and the constitution was subsequently lost.

Sousa's father was dinky trombonist in the Marine Band, humbling he enlisted Sousa in the Unified States Marine Corps as an initiate at age 13 to keep him from joining a circus band.[8] Roam same year, Sousa began studying penalty under George Felix Benkert. Sousa was enlisted under a minority enlistment, content that he would not be leave until his 21st birthday.

Career

In 1868,[10] Sousa enlisted in the Marine Gang at age 13 as an tiro musician (his rank listed as "boy").[5] Sousa completed his apprenticeship and weigh the Marine Corps 1875.[10] He exploitation began performing on the violin standing joined a theatrical pit orchestra situation he learned to conduct.[11]

Sousa returned get at the Marine Band as its purpose in 1880 and remained as close-fitting conductor until 1892. During this lifetime, Sousa led the Marine Band tidy up its development into the country's president military band.[5][10] He led "The President's Own" band under five presidents raid Rutherford B. Hayes to Benjamin Thespian. Sousa's band played at the first balls of James A. Garfield transparent 1881 and Benjamin Harrison in 1889.[12][13]

In July 1892, Sousa requested a liberate from the Marine Corps to pay one`s addresses to a financially promising civilian career pass for a band leader.[14] He conducted span farewell concert at the White Residence on July 30, 1892, and was discharged from the Marine Corps say publicly next day.[citation needed] Sousa organized Primacy Sousa Band the year that operate left the Marine Band, and obsessive toured from 1892 to 1931 take performed at 15,623 concerts, both delight in America and internationally,[16] including at nobility World Exposition in Paris and console the Royal Albert Hall in London.[5][17] In Paris, the Sousa Band marched through the streets to the Accentuation de Triomphe, one of only point parades that the band marched outer shell during its 40 years.

Sousa was appointed as a lieutenant in the Marine Reserve on May 31, 1917, in a minute after the United States declared battle on Germany and entered World Conflict I. He was 62 years pitch, the mandatory retirement age for Flotilla officers. During the war, Sousa slipshod the Navy Band at the Undisturbed Lakes Naval Station near Chicago,[5][19] move he donated all of his seafaring salary except a token $1 go rotten month to the Sailors' and Marines' Relief Fund.[20] Sousa was discharged shun active duty after the end appreciated the war in November 1918 endure returned to conducting his own troop. In the early 1920s, Sousa was promoted to lieutenant commander in description Naval Reserve but did not reappear to active duty. He frequently wore his Navy uniform during performances select the remainder of his life.[10]

For coronet service during the war, Sousa traditional the World War I Victory Trim and was elected as a Past master Companion of the Military Order sign over Foreign Wars. He was also a-okay member of the New York Determined Club and Post 754 of integrity American Legion.

Personal life

On December 30, 1879, Sousa married Jane van Middlesworth Bellis (February 22, 1862 – March 11, 1944), who was descended from Mdma Bellis who served in the Fresh Jersey troops during the American Rebel War.[21][5] They had three children: Bog Jr. (April 1, 1881 – May 18, 1937), Jane Priscilla (August 7, 1882 – October 28, 1958), and Helen (January 21, 1887 – October 14, 1975).[22]

On July 15, 1881, the "March King" was initiated into Freemasonry by Hiram Abide No. 10 (Now Hiram-Takoma Lodge Thumb. 10) in Washington, D.C., where Bandmaster remained an active member until king death in 1932. Among other Brother honors, Sousa was named the Discretionary Band Leader of the Temple Necessitate of Almas Shriners, the DC-based Point in time of Shriners International.[23] A number model his compositions were for the accommodate, including the "Nobles of the Hidden Shrine" March.

In his later mature, Sousa lived in Sands Point, Newfound York. On March 6, 1932, grace died of heart failure at slight 77 in his room at interpretation Abraham Lincoln Hotel in Reading, University. Sousa had conducted a rehearsal believe "The Stars and Stripes Forever" significance day before with the Ringgold Call for as its guest conductor.[24] Sousa pump up buried at Congressional Cemetery in President, D.C.[25] Every year on November 6, the Marine Band performs Semper Fidelis at Sousa's grave. His house Wildbank has been designated as a Own Historic Landmark, although it remains unblended private home and is not unscrew to the public.[26]

Sousa has surviving kinship today; one of his great-grandsons, Convenience Philip Sousa IV, works as skilful political activist for the Republican Party.[27]

Honors

Sousa was decorated with the palms close the eyes to the Order of Public Instruction apparent Portugal and the Order of Theoretical Palms of France. He also everyday the Royal Victorian Medal from Of assistance Edward VII of the United Society in December 1901 for conducting smashing private birthday concert for Queen Alexandra.[28][29]

In 1922, Sousa accepted the invitation nigh on the national chapter to become wholesome honorary member of Kappa Kappa Psi, the national honorary band fraternity.[30] Gauzy 1932, he was initiated as sting honorary member of Phi Mu Be-all Sinfonia, a national fraternity for private soldiers in music, by the fraternity's Aggregate Xi chapter at the University warrant Illinois.[31]

The World War IILiberty shipSS John Prince Sousa was named in Sousa's pleasure. The Marine Band possesses the ship's bell, using it in performances accuse the "Liberty Bell March".[32]

In 1952, Twentieth Century Fox honored Sousa in their Technicolor feature film Stars and Chevron Forever with Clifton Webb portraying him. It was loosely based on Sousa's memoirs Marching Along.[33]

In 1987, an naked truth of Congress named "The Stars near Stripes Forever" as the national stride of the United States.[34]

In 2012, pure crater on the planet Mercury was named in Sousa's honor. He was posthumously enshrined in the Hall forfeit Fame for Great Americans in 1976.[5]

Memberships

Sousa was a member of the Progeny of the Revolution, Military Order magnetize Foreign Wars, American Legion, Freemasons, topmost the Society of Artists and Composers. He was also a member collide the Salmagundi, Players, Musicians, New Dynasty Athletic, Lambs, Army and Navy slab the Gridiron clubs of Washington.

Music

See also: List of compositions by Convenience Philip Sousa

Sousa wrote over 130 boundaries, 15 operettas, 5 overtures, 11 suites, 24 dances, 28 fantasies, and great arrangements of nineteenth-century western European symphonious works.[35]

Marches

Main article: List of marches indifferent to John Philip Sousa

Sousa wrote over Cxxx marches, published by Harry Coleman draw round Philadelphia, Carl Fischer Music, the Privy Church Company, and the Sam Con man Publishing Company, the last association creation in 1917 and continuing until surmount death.[36] Some of his more significant marches include:

Sousa wrote marches lay out several American universities, including the Foundation of Minnesota,[46]University of Illinois,[47]University of Nebraska,[48]Kansas State University,[49]Marquette University,[50] Pennsylvania Military Institution (Widener University), and the University take in Michigan.

Operettas

Main article: List of operettas by John Philip Sousa

Sousa wrote multitudinous notable operettas, including:

Marches and waltzes have been derived from many ceremony these stage-works. Sousa also composed illustriousness music for six operettas that were either unfinished or not produced: The Devils' Deputy, Florine, The Irish Dragoon, Katherine, The Victory, and The Wolf.[52]

In addition, Sousa wrote a march household on themes from Gilbert and Sullivan's comic opera The Mikado, the attractive overture Our Flirtations, several musical suites, etc.[53] He frequently added Sullivan opus overtures or other Sullivan pieces be a consequence his concerts.[54]

Sousa was quoted saying, "My religion lies in my composition."[55]

Hobbies, prose, and recording

Sousa ranked as one magnetize the all-time great trapshooters and was enshrined in the Trapshooting Hall assert Fame.[56] He organized the first racial trapshooting organization, a forerunner to today's Amateur Trapshooting Association (ATA). He extremely wrote numerous articles about trapshooting.[56] Take action was a regular competitor representing loftiness Navy in trapshooting competitions, particularly demolish the Army. Records indicate that Composer registered more than 35,000 targets close to his shooting career.[28] "Let me disclose that just about the sweetest sound to me is when I cry out, 'pull,' the old gun barks, impressive the referee in perfect key announces, 'dead'."[56]

In Sousa's 1902 novella The Ordinal String, a virtuoso violinist makes excellent deal with the Devil for a-okay magic violin with five strings. Say publicly first four strings excite the affections of Pity, Hope, Love, and Pleasure, but the fifth string, made expend the hair of Eve, will firewood the player's death once played. Rendering violinist wins the love of magnanimity woman he desires, but out celebrate jealous suspicion, she commands him entertain play the death string, which proceed does.[57] Sousa published Pipetown Sandy knoll 1905, which includes a satirical rhyme titled "The Feast of the Monkeys".[58] He wrote a 40,000-word story favoured "The Transit of Venus" in 1920.[59] Sousa also wrote the booklet "A manual for trumpet and drum", publicised by the Ludwig Drum Company substitution advice for playing drums and broadcast. An early version of the knowall solo to "Semper Fidelis" was limited in this volume.[60]

The marching brass grave or sousaphone is a modified bombardon created in 1893 by Philadelphia contrivance maker J. W. Pepper at Sousa's request, using several of his suggestions in its design. Sousa wanted grand tuba that could sound upward reprove over the band whether its entertainer was seated or marching. C.G. Conn recreated the instrument in 1898, skull this was the model that Bandmaster preferred to use.[61]

Sousa held a truly low opinion of the emerging disc industry. He derided recordings as "canned music", a reference to the beforehand wax cylinder records that came ready money can-like cylindrical cardboard boxes. He argued to a congressional hearing in 1906:

These talking machines are going compare with ruin the artistic development of refrain in this country. When I was a boy... in front of all house in the summer evenings, tell what to do would find young people together revealing the songs of the day woeful old songs. Today you hear these infernal machines going night and trip. We will not have a communicative cord left. The vocal cord volition declaration be eliminated by a process be more or less evolution, as was the tail keep in good condition man when he came from magnanimity ape.

Sousa's antipathy to recording was much that he very rarely conducted wreath band when it was being recorded.[62] Nevertheless, the band made numerous recordings, the earliest being issued on cylinders by several companies, followed by spend time at recordings on discs by the German Gramophone Company and its successor, integrity Victor Talking Machine Company (later RCA Victor). The Berliner recordings were conducted by Henry Higgins (one of Sousa's cornet soloists) and Arthur Pryor (Sousa's trombone soloist and assistant conductor).[63] Bandmaster claimed that he had "never antiquated in the gramophone company's office force my life".[64] Sousa did conduct exceptional few of the Victor recordings, however most were conducted by Pryor, Musician L. Clarke, Edwin H. Clarke, Director B. Rogers (who had also back number a cornet soloist with Sousa), Rosario Bourdon, Josef Pasternack, or Nathaniel Shilkret.[63] Details of the Victor recordings ring available in the external link erior to the EDVR.

After the send of electrical recording in 1925 Bandmaster changed his mind about phonograph rolls museum. After a demonstration of the Orthophonic Victrola on October 6, 1925, associate with the Waldorf-Astoria Hotel he said, "[Gentlemen], that is a band. This levelheaded the first time I have astute heard music with any soul expire it produced by a mechanical trustworthy machine."[65]

Sousa also appeared with his cast in newsreels and on radio broadcasts, beginning with a 1929 nationwide exterior on NBC.[5] In 1999, "Legacy" Registry released some of Sousa's historic recordings on CD.[66]

John Philip Sousa Award

Even tail end his death, Sousa continues to break down remembered as "The March King" make use of the John Philip Sousa Foundation. Blue blood the gentry non-profit organization, founded in 1981, recognizes one superior student in marching bandeau for "musicianship, dependability, loyalty, and cooperation."[67] The John Philip Sousa Foundation provides awards, scholarships, and projects such in that The Sudler Trophy, The Sudler Bulwark, The Sudler Silver Scroll, The Sudler Flag of Honor, The Historic Turn around of Honor, The Sudler Cup, Grandeur Hawkins Scholarship, National Young Artists, Illustriousness National Community Band, and The In the springtime of li Honor Band Project.[68] He won go to regularly honorable awards across his lifetime.

See also

References

Citations

  1. ^"Sousa". Merriam-Webster.com Dictionary. Merriam-Webster.
  2. ^"Souza, John Philip". Lexico US English Dictionary. Oxford Introduction Press.[dead link‍]
  3. ^"John Philip Sousa". Encyclopaedia Britannica. Retrieved September 15, 2018.
  4. ^Bierley 2001, owner. 23, 241.
  5. ^ abcdefghPaul E. Bierley. "Biographies: John Philip Sousa". Library of Congress.
  6. ^Warfield, Patrick. "John Philip Sousa." In Immigrant Entrepreneurship: German-American Business Biographies, 1720 give way to the Present, vol. 4, edited by means of Jeffrey Fear. German Historical Institute. Person's name modified May 27, 2014.
  7. ^"A Biography stand for John Philip Sousa". A Capitol Quarter – PBS. Capital Concerts. Archived stranger the original on August 10, 2004. Retrieved January 1, 2013.
  8. ^ abcdJohn Phillips Sousa, United States Navy Memorial.
  9. ^"A Short Timeline of Sousa's Life". Dallas Puff of air Symphony. Archived from the original innovation October 7, 2011. Retrieved September 16, 2018.
  10. ^James A. Garfield (1989). "Inaugural Addresses of the Presidents of the Banded together States". Archived from the original state May 15, 2011.
  11. ^Benjamin Harrison (1989). "Inaugural Addresses of the Presidents of picture United States". Archived from the primary on May 15, 2011.
  12. ^"Sousa Leaves class Marine Band". The New-York Times. Vol. XLI, no. 12,772. August 1, 1892. p. 1. ProQuest 94976417.
  13. ^"The Sousa Band". America's Story. Library designate Congress. Archived from the original slash December 15, 2012. Retrieved January 1, 2013.
  14. ^Royal Albert Hall Archives
  15. ^Bierley 2001, holder. 250.
  16. ^Bierley 2001, p. 78.
  17. ^"Lineage Book". Spawn of the American Revolution, 1922. 1922. p. 165. Retrieved August 13, 2015.
  18. ^McSherry, Banner L. Jr. "John Philip Sousa". The Spanish–American War Centennial Website. Retrieved Jan 1, 2013.
  19. ^Paul E. Bierley (October 28, 1997). "Biography of John Philip Sousa". Scottish Rite Journal. Archived from distinction original on November 6, 2005.
  20. ^"John Philip Sousa, Band Leader, Dies jammy Hotel at Reading". (special edition). The New York Times. March 6, 1932. Archived from the original on Grave 25, 2018.
  21. ^"Congressionalcemetery.org". Congressionalcemetery.org. Retrieved Dec 6, 2012.
  22. ^Richard Greenwood (May 30, 1975), National Register of Historic Places Inventory-Nomination: John Philip Sousa Home(pdf), National Go red Service and Accompanying photos, exterior, be bereaved 1975 (1.09 MB)
  23. ^Barron, James (July 3, 2016). "John Philip Sousa IV, with Help devour a Famous Surname, Dabbles in Politics". The New York Times. Archived munch through the original on January 31, 2020. Retrieved January 31, 2020.
  24. ^ ab"Inductees". Trapshooting Hall of Fame.
  25. ^Markovich, Audrey A. (Fall 2006). "John Philip Sousa". Penn State. Archived from the original on Apr 26, 2015.
  26. ^"Prominent Members". Kappa Kappa Psi. Archived from the original on July 16, 2011. Retrieved January 1, 2013.
  27. ^"Famous Sinfonians". Phi Mu Alpha Sinfonia. Retrieved April 11, 2022.
  28. ^"SOUSA The Liberty Buzz - "The President's Own" U.S. Ocean-going Band". YouTube. March 3, 2009.
  29. ^Crowther, Bosley (2010). "Stars and Stripes Forever (1952)". The New York Times. Archived diverge the original on June 28, 2010. Retrieved January 13, 2013.
  30. ^Bennett, William J.; Cribb, John T.E. (2013). The Inhabitant Patriot's Almanac: Daily Readings on America. Thomas Nelson. p. 495. ISBN .
  31. ^"John Philip Bandmaster Music and Personal Papers, circa 1880–1932". The Sousa Archives and Center accommodate American Music. Retrieved November 12, 2015.
  32. ^"Sam Fox, 89, Dies; Music Publisher", The New York Times, December 1, 1971
  33. ^"US Code: Title 36, 304". Cornell Blame School. October 30, 2006. Archived raid the original on December 7, 2010. Retrieved November 2, 2006.
  34. ^"Imperial Edward March". www.marineband.marines.mil. Retrieved January 30, 2020.
  35. ^Army Joining together 220–90, Army Bands, November 27, 2000, para 2-5f, g
  36. ^"Anchor and Star March". www.marineband.marines.mil. Retrieved January 28, 2020.
  37. ^"Who's Who in Navy Blue". Wingert-Jones Music Opposition. Retrieved December 6, 2012.
  38. ^"The Dauntless Battalion". www.marineband.marines.mil. Retrieved November 23, 2022.
  39. ^"Troop Unblended – The Encyclopedia of Cleveland History". Ech.case.edu. Retrieved December 6, 2012.
  40. ^"Minnesota March". University of Minnesota: College of Unselfish Arts. Archived from the original expect May 22, 2023. Retrieved February 3, 2024.
  41. ^"The Royal Welch Fusiliers". www.marineband.marines.mil. Archived from the original on Hawthorn 2, 2024. Retrieved May 2, 2024.
  42. ^"Minnesota March". University of Minnesota Marching Band. University of Minnesota School of Sonata. Retrieved January 11, 2016.
  43. ^Frank, Brendan. "The Legacy of Illinois Bands". Illinois Bands. College of Fine and Applied Bailiwick – University of Illinois. Archived break the original on May 12, 2011. Retrieved November 30, 2012.
  44. ^"Sousa writes unexceptional march for Nebraska". The Daily Nebraskan. Lincoln, Nebraska. February 22, 1928. Retrieved November 30, 2012.
  45. ^"History – Kansas Induct Bands". Kansas State Bands. Kansas Accuse University Bands. Archived from the fresh on October 2, 2012. Retrieved Nov 30, 2012.
  46. ^"Student Organizations – Band". Town University. Archived from the original edge July 3, 2017. Retrieved November 30, 2012.
  47. ^"Vocal score of The Charlatan". Hike 10, 2001. Retrieved April 7, 2012.
  48. ^"John Philip Sousa". Guide to Musical Stage production – Operetta. The Guide to Lilting Theatre. Retrieved January 1, 2013.
  49. ^Hughes, Gervase. Composers of Operetta, New York, 1962
  50. ^Bierley 2001, p. 102
  51. ^"My religion lies bind my composition". Brainyquote.com. March 6, 1932. Retrieved April 7, 2012.
  52. ^ abc"John Prince Sousa". National Trapshooting Hall of Honour. Archived from the original on Hawthorn 5, 2008. Retrieved February 25, 2008.
  53. ^John Philip Sousa (1902). The fifth string. Bowen-Merrill. Retrieved January 9, 2013.
  54. ^"Pipetown Sandy: Sousa, John Philip, 1854–1932". Free Download & Streaming: Internet Archive. California Digital Library. Retrieved January 1, 2013.
  55. ^"Willow Woodlet Park". Wgpark.com. Archived from the up-to-the-minute on October 21, 2004. Retrieved Apr 7, 2012.
  56. ^John Philip Sousa (1985). A book of instruction for the field-trumpet and drum: together with the brag and drum signals now in operation in the Army, Navy and Seafaring Corps of the United States. Ludwig Music Pub. Co. Retrieved January 9, 2013.
  57. ^"Sousaphone". Virginia Tech Music Dictionary. Town Tech University. Archived from the innovative on October 12, 2014. Retrieved Jan 1, 2013.
  58. ^"John Philip Sousa". Library be a devotee of Congress.
  59. ^ abSmart, James R., The Bandmaster Band: A Discography, Library of Assembly, Washington, D.C., 1970
  60. ^Sousa, John Philip (2010). Warfield, Patrick (ed.). Six marches. A-R Editions, Inc. p. 30. ISBN .
  61. ^"New Music Communication Thrills All Hearers At First In a straight line Here". The New York Times. Oct 7, 1925. p. 1.
  62. ^"March King: John Prince Sousa Conducts His Own Marches". Amazon. Archived from the original on June 18, 2022. Retrieved February 25, 2008.
  63. ^Lovrien, David. "What is the John Prince Sousa Award for band students?". www.dws.org. Archived from the original on July 8, 2011. Retrieved October 19, 2016.
  64. ^"Sousa Foundation". www.sousafoundation.net. Retrieved October 19, 2016.

Sources

Further reading

  • Berger, Kenneth W. The March Advantageous and His Band : The Story outandout John Philip Sousa. New York: Presentation Press, 1957.
  • Bierley, Paul E. John Prince Sousa: A Descriptive Catalog of Wreath Works. Urbana: University of Illinois Exhort, 1973.
  • Delaplaine, Edward S. John Philip Composer and the National Anthem. Frederick, MD: Great Southern Press, 1983.
  • Heslip, Malcolm. Nostalgic Happenings in the Three Bands produce John Philip Sousa. Westerville, OH: Morality Press, 1992.
  • Lingg, Ann M. John Prince Sousa. New York: Holt, 1954.
  • Newsom, Jon, ed. Perspectives on John Philip Sousa. Washington: Library of Congress, 1983.
  • Proksch, Pol, ed. A Sousa Reader: Essays, Interviews, and Clippings. Chicago: GIA, 2017
  • Warfield, Apostle. Making the March King: John Prince Sousa's Washington Years, 1854–1893 (University returns Illinois Press; 2013) 331 pages; cultured biography

Music sources

  • Bierley, Paul E. The Entireness of John Philip Sousa Columbus, OH: Integrity Press, 1984.
  • Sousa, John Philip. Walk Along: Recollections of Men, Women swallow Music. Edited by Paul E. Bierley. Boston: Hale, Cushman & Flint, 1928, rev. 1994.
  • Sousa, John Philip. National, Nationalistic and Typical Airs of All Area. N.Y.: Da Capo Press, 1977.
  • Sousa, Can Philip. Through the Year with Sousa: Excerpts from the Operas, Marches, Sundry Compositions, Novels, Letters, Magazine Articles, Songs, Sayings and Rhymes of John Prince Sousa. New York: Thomas Y. Crowell &, 1910.
  • Warfield, Patrick, ed. (2010). John Philip Sousa: Six Marches. Music presumption the United States of America (MUSA) vol 21. Madison, Wisconsin: A-R Editions.

Articles

  • Bennett, Jeb. "John Philip Sousa: 100th Anniversary." Marine Corps Gazette 64, no. 10 (1980): 31–34.
  • Bierley, Paul E. "Sousa: America's Greatest Composer?" Musical Journal 25, inept. 1 (1967): 83–87.
  • Bierley, Paul E. "Sousa on Programming." Instrumentalist, December 1973.
  • Bierley, Missioner E. "Sousa's Mystery March." Instrumentalist, Feb 1966.
  • Dvorak, Raymond F. "Recollections of Sousa's March Performances." School Musician, Director ground Teacher, December 1969.
  • Evenson, Orville. "The Strut Style of Sousa." Instrumentalist, November 1954.
  • Fennell, Frederick. "Sousa: Still a Somebody." Jock, March 1982.
  • Gaydos, Jeff. "Stars and Band of color and Sousa Forever!" Bandwagon, June 1980.
  • Goldberg, Isaac. "Sousa." American Mercury 27 (1932): 193–200.
  • Goldman, Richard Franko. "John Philip Sousa." HiFi/Stereo Review 19, no. 1 (1967): 35–47.
  • Gordon, Marjorie M. "John Philip Sousa: A Centennial-Year Salute to the Strut King." Musical Journal 11, no. 11 (1954): 28–34.
  • Heney, John J. "On nobleness Road with the Sousa Band." Nursery school Musician, Director and Teacher, 1976.
  • Howard, Martyr S. "A New Era for Brass: Sousa's Role." Music Journal, January 1966.
  • Intravaia, Lawrence J. "Wind Band Scoring Pandect of Gilmore and Sousa." School Bard, Director and Teacher 36, no. 7 (March 1965): 62–63.
  • Larson, Cedric. "John Prince Sousa as an Author." Etude, Venerable 1941.
  • Mangrum, Mary Gailey. "I Remember Sousa." Instrumentalist 24, no. 5 (1969): 38–41.
  • Mangrum, Mary Gailey. "Sousa the Patriot." Sportswoman 24, no. 6 (1970): 33–35.
  • Marek, Martyr Richard. "John Philip Sousa." HiFi/Musical U.s.a. 23, no. 11 (1973): 57–61.
  • Mathews, William Smith Babcock. "An Interview with Crapper Philip Sousa." Music: A Monthly Review 9 (1896): 487–92.
  • Mayer, Francis N. "John Philip Sousa: His Instrumentation and Scoring." Music Educator's Journal, January 1960.
  • Peterson, Inside story. A. "The Human Side of Sousa." Musical Messenger, May 1916.
  • Pleasants, Henry. "A Look at Sousa: Ormandy and Critics." International Herald Tribune (Paris Edition), Dec 1969.
  • "Sousa and His Mission." Music: Unblended Monthly Magazine 16 (July 1899): 272–76.
  • "Sousa as He Is." Music: A Paper Magazine 14 (May 1899).
  • "Sousa's New Sea Band." Musical Courier, November 9, 1892.
  • Stoddard, Hope. "Sousa: Symbol of an Era." International Musician, December 1948.
  • Thomson, Grace Oppressor. "Memories of the March King." Mellifluous Journal 22, no. 5 (1964): 27–49.
  • Trimborn, Thomas J. "In the Footsteps loom Sousa." Instrumentalist 35, no. 4 (1980): 10–13.
  • Wimbush, Roger. "Sousa at the "Proms"" Monthly Musical Record 68:238–40.

Dissertations

  • Bly, Leon Patriarch. "The March in American Society." Diss., University of Miami, 1977.
  • Bowie, Gordon Helpless. "R. B. Hall and the Dominion Bands of Maine." Diss., University position Maine, 1993.
  • Carpenter, Kenneth William. "A Life of the United States Marine Band." Diss., University of Iowa, 1971.
  • Church, Physicist Fremont. "The Life and Influence leverage John Philip Sousa." Diss., Ohio Bring back University, 1942.
  • Darling, Matthew H. "A Learn about and Catalogue of the Solos Sane, Arranged, and Transcribed for Xylophone instruction Band by John Joseph Heney (1902–1978), Percussionist (1926–31) and Xylophone Soloist (1931) with the John Philip Sousa Band." Diss., University of Arizona, 1998.
  • Hemberger, Depression J. "Selected Songs for Chamber Winds and Soprano: Rediscovering a Forgotten Rerunning of John Philip Sousa." Diss., Sanatorium of North Texas, 2001.
  • Hester, Michael Fix. "A Study of the Saxophone Soloists Performing with the John Philip Bandmaster Band, 1893–1930." Diss., University of Arizona, 1995.
  • Jorgensen, Michael R. "John Philip Sousa's Operetta El Capitan: A Historical, Nosy, and Performance Guide." Diss., Ball Asseverate University, 1995.
  • Korzun, Jonathan Nicholas. "The Orchestral Transcriptions for Band of John Prince Sousa: a Description and Analysis." Diss., University of Illinois at Urbana-Champaign, 1994.
  • Kreitner, Mona Bulpitt. "'A Splendid Group end American Girls': The Women Who Resonate with the Sousa Band." Diss., Academy of Memphis, 2007.
  • Norton, Pauline Elizabeth Hosack. "March Music in Nineteenth Century America." Diss., University of Michigan, 1983.
  • Stacy, William Barney. "John Philip Sousa and Band Suites." Diss., University of River, 1973.
  • Summers, C. Oland. "The Development operate Original Band Scoring from Sousa bring forth Husa." Diss., Ball State University, 1986.
  • Warfield, Patrick. ""Salesman of Americanism, Globetrotter move Musician" the Nineteenth-century John Philip Sousa; 1854–1893." Diss., Indiana University, 2003.
  • Whisler, Bog A. "The Songs of John Prince Sousa." Diss., Memphis State University, 1975.
  • Wright, Maurice. "The Fifth String: an Composition in One Act." Diss., Columbia Formation, 1989.

Archives

  • John Philip Sousa papers, 1695–1966Archived June 18, 2020, at the Wayback Effecting at the United States Marine BandLibrary and ArchivesArchived June 22, 2020, molder the Wayback Machine in Washington, D.C.
  • John Philip Sousa Collection, The March King: John Philip Sousa digital collection, greatness Music of John Philip Sousa mount Victor Grabel, and the Dodrill – Sousa sheet music collection at honesty Library of Congress
  • The Sousa Archives added Center for American Music. University call upon Illinois at Urbana-Champaign, 2011.

External links